Ballet Kelowna “Vividus: Full of Life”

Featuring Vestiges, payɛčot yɛχət, and Les Carnaval des Animaux

Three Works. Three worlds. One evening of unforgettable dance.

Ballet Kelowna’s mixed program features a stunning lineup of signature works from Ballet Kelowna’s contemporary ballet repertoire. With Alysa Pires’ striking Vestiges, Cameron sinkʷə Fraser-Monroe’s compelling payɛčot yɛχət, and Guillaume Côté’s vibrant Le Carnaval des Animaux, this high-energy program from Canada’s leading dancemakers promises to delight, inspire, and bring audiences to their feet.

Award-winning choreographer Alysa Pires constructs a striking commentary on the search for true connection and meaning amid disorder. Set to the cinematic melodies of violinist Hilary Hahn and composer Hauschka, Vestiges highlights the virtuosity of Pires’ bold and lively choreography.

Known for fusing his knowledge of traditional dance with classical technique, Cameron sinkʷə Fraser-Monroe returns to his long-standing relationship with hoop dance in payɛčot yɛχət [PAI-yeh-chot yeh-HUT], meaning “I always remember” in Ayajuthem, the language belonging to the Homalco, Klahoose, K’omoks, and Tla’amin Nations. This piece features music by revered Indigenous cellist and composer Cris Derksen.

Rounding out the program, Guillaume Côté, former Principal Dancer and Chorographic Associate with The National Ballet of Canada, applies his fresh, artistic vision to a jovial rendition of Camille Saint-Saëns’ Le Carnaval des Animaux, regarded as one of the French composer’s best-known works. Full of whimsical ornamentation, this upbeat ensemble piece pushes the limits of contemporary ballet.

Photo Credit: photoworks.com